I'm sort of new to the Mountain Goats fold. I first heard them years ago, but even then the sheer volume of their output intimidated me a bit (where would I start?), and I'm always a bit afraid of bands that have a large indie following. I like a lot of those bands, but I always feel like the indie scene is a bunch of big kids who won't let me play basketball with them. I think this is the result of growing up in suburban Iowa and Snellville, Georgia and being really, really into Star Wars in 1992 (when it was NOT a popular thing to be into). When you grow up like that, everyone else seems cooler than you.
But a year or so back I noticed that about 2/3rds of the songs I'd had to look up after hearing them on the radio at the coffee shop were Mountain Goats songs - "This Year" and "Lovecraft in Brooklyn" sealed it for me, and I ran out and picked up "Sunset Tree," which had "This Year," and All Hail West Texas, which had "The Best Ever Death Metal Band In Denton," which I already knew that I loved - I felt like it was about my friends and me; we had bands with names like Scapegoat (which still exists and records, along with 50 other bands of the same name) and Supernatural Anarchy. Our music was recorded on boom boxes. All Hail West Texas was also recorded on a boom box, but somehow it made the tape hiss noise WORK in a way that I never dreamed possible. And then there are the lyrics. I write young adult novels for a living; I can tell you right now that many of these songs about characters trying to do the right thing even though they think of themselves as evil, Huck Finn-style, tell more in 8 lines than most YA books do in 200 pages.
Nowadays, when people ask about my own solo albums, I just direct them to The Mountain Goats and say "this is what I was trying to do."
Nowadays, when people ask about my own solo albums, I just direct them to The Mountain Goats and say "this is what I was trying to do."